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Dance Luminary Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I'm Not Protective About My Body'

In the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is effortlessly upright, his limbs muscular beneath a simple tee. On stage, ballet dancers can appear as powerful gods, yet frequently in person they are petite. This is not true for Ball, whose tall stature is part of his popularity for heroic characters and partnering. With fine traits and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the crest of a career that has advanced smoothly. Raised in Liverpool, he encountered minimal ridicule for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted each year, attaining the top rank of lead dancer in 2018. He has relished tackling substantial characters, especially the psychological turmoil found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured role is as himself, in an "Evening With" event designed to offer behind-the-scenes perspectives into a performer's art. He will guide the crowd through a part, showing his mental workflow while performance. Yet in lighter works, the test is significant. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and After the Show Feelings

How does he feel following a show, when he has pulled it off? "It's pretty good," he admits. "But because I'm trying to extract all the emotion out of it, and get lost in the role, frequently I do feel embarrassed later. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer previously observed on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Artistic Influences

His determination originated in youthful setbacks. Not excelling in contests at school made him "driven!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next endeavor is making his own choreography. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing ideas from books, music, and painting.

Close-Up Dance and Private Partnership

He also is interested in presenting dance in smaller spaces. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made pieces with his partner, fellow principal Mayara Magri. The level of trust between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not usually matched on stage at their home company, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Bodily Image

On Instagram, fans can see clips from his dance films and photos that showcase a athletic physique. Does he care that the response can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be seen on various ways.

Ball describes his younger self as "eager for success." Has it lived up to his expectations? "I am conscious of how reality is a different thing to the aspirations you had as a child," he reflects. He likely has another ten years of dancing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."

Written by

James Martinez

A cybersecurity expert and tech writer specializing in data privacy and cloud solutions, with over a decade of industry experience.

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